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Sections Page 1 Canon PowerShot SX50 HS Review Page 2 Design and Performance Review Page 3 Image Quality and Verdict Review Verdict Pros Huge 50x optical zoom Hotshoe for accessories Articulated screen Cons Occasional issues with focusing Poor quality EVF Bulky and unrefined design Key Specifications Review Price £ 1/ back-illuminated sensor; 50x optical zoom, 24-1200mm; ISO 80 - 6400; 1920 x 1080 HD video capture 24; 461k-dot vari-angle LCDp What is the Canon Powershot SX50 HS? The combination of a large focal range and relatively compact body make bridge cameras increasingly popular for those looking for a more advanced shooting option without the burden of carrying around large lenses and a bulky body. The Canon PowerShot SX50 HS is one such bridge camera, and its huge 50x optical zoom mean that, on paper, it’s the leading candidate in this market. We take a closer look to see how it weighs up Canon Powershot SX50 HS – Features At the heart of any bridge camera worth its salt sits a large optical zoom, and this is true of the Canon PowerShot SX50 HS. The model has a huge 50x optical zoom, covering an equivalent focal range of 24 – 1,200mm. It’s supported by Canon’s Intelligent IS stabilisation system that combines lens-shift and digital stabilisation to offer up to stops of benefit when it comes to exposure. It also benefits from Canon’s ZoomPlus’ technology to offer up to a 100x zoom, although this is basically a glorified digital zoom and as such won’t offer the same amount of detail as a traditional optical zoom. Finally, the lens includes Canon’s Ultra Sonic Motor technology that enables near-silent focusing throughout the extensive focal range – a useful feature as it means you can use the zoom when recording video without fear of annoying noises. Accompanying the large optical zoom is a CMOS sensor. The sensor – as the camera’s name suggests – features Canon’s HS’ technology that involves the combination of a backlit CMOS sensor and Canon’s DIGIC 5 processor for improved performance in low light conditions. The rear of the camera sees a articulated LCD screen that boasts a resolution of 461k-dots, and which can be pulled away from the body and rotated around a horizontal axis for viewing at a range of angles. The camera also features an electronic viewfinder EVF for those that want an alternative way to compose their images. Unfortunately, the EVF measures in at just and a resolution of just 202k-dots – on paper a potential weakness. A welcome aspect of the SX50 HS’s specification is the presence of full PASM Program, Aperture Priority, Shutter priority and Manual image capture control. Those looking to let the camera so the work can fall back on the model’s Smart Auto shooting mode that chooses from 58 scene modes to get the right one for you. The SX50 HS also benefits from having the ability to capture Raw files for greater versatility in post production, while the camera also offers Full HD video capture at 1080p resolution and 24fps. Other standout elements include the presence of a hotshoe on the camera’s top plate that allows for the attachment of Canon Speedlite EX flashguns, while the camera can also features a 67mm filter thread and removable a lens hood.

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CanonPowerShot SX410 IS ini hadir dengan banderol harga yang cukup terjangkau, dan sepadan dengan spesifikasi dan fitur yang dimilikinya. Tidak seperti kamera saku yang selama ini dianggap hanya mampu mengambil gambar dari jarak dekat saja, kamera saku Canon ini hadir dengan kemampuan zoom yang terbilang luar biasa. ^{em10x 139 reais con 90 centavos sem jurosUsadoem10x 159 reais con 90 centavos sem jurosUsadoem10x 149 reais con 90 centavos sem jurosUsadoem10x 159 reais con 90 centavos sem jurosUsadoem10x 159 reais con 90 centavos sem jurosUsadoem10x 159 reais con 90 centavos sem jurosUsadoem12x 184 reais con 20 centavos Usadoem10x 130 reais con 50 centavos sem jurosUsadoem12x 168 reais con 06 centavos Usadoem12x 131 reais con 85 centavos Usadoem10x 127 reais con 50 centavos sem jurosUsadoem12x 145 reais con 33 centavos Usadoem10x 129 reais con 90 centavos sem jurosUsadoem10x 419 reais con 90 centavos sem jurosUsadoem10x 377 reais con 50 centavos sem jurosUsadoem12x 135 reais con 63 centavos Usadoem12x 130 reais con 88 centavos Usadoem10x 159 reais con 90 centavos sem jurosUsado799 reais con 99 centavos em10x sem jurosUsadoem10x 159 reais con 90 centavos sem jurosUsadoem10x 109 reais con 90 centavos sem jurosUsadoem12x 134 reais con 75 centavos Usadoem12x 135 reais con 63 centavos Usadoem10x 169 reais con 90 centavos sem jurosUsadoem12x 105 reais con 58 centavos Usadoem10x 159 reais con 90 centavos sem jurosUsadoem12x 134 reais con 66 centavos Usadoem10x 109 reais con 90 centavos sem jurosUsadoem10x 109 reais con 90 centavos sem jurosUsadoem12x 103 reais con 80 centavos Usadoem10x 114 reais con 20 centavos sem jurosUsadoO frete grátis está sujeito ao peso, preço e distância do 2Seguinte} Tuturanreview dari sebuah blog Kamera Canon Terbaru Kamera DSLR merupakan tipe kamera yang menjadi pilihan setiap photografer profesional maupun pemula yang sudah banyak mengetahui tentang Kamera. Canon sudah mengeluarkan banyak model dan tentunya di pasaran Harga kamera DSLR ini menjadi tren bagi para penikmat kamera. Dengan Kualitas gambar, Fitur yang lengkap, dan model, pengguna benar- benar m zoom_out_map 1/7 zoom_out_map 2/7 zoom_out_map 3/7 zoom_out_map 4/7 zoom_out_map 5/7 zoom_out_map 6/7 zoom_out_map 7/7 Avaliação de Maurício Moraes / Enxergar longe é muito fácil com esta câmera da Canon. O zoom óptico de 50 vezes é o maior de todos os modelos já testados no INFOlab. Tamanho grau de aproximação poderia resultar em imagens tremidas, mas a estabilização de imagem funcionou muito bem nos testes. A PowerShot registrou belas fotos em ambientes mais iluminados, mas teve dificuldades para retratar cenas mais escuras ou com muitas sombras. O visor eletrônico serve só como quebra-galho. Avaliação de César Pereira / A PowerShot SX50 HS é uma das melhores câmeras superzoom que já testamos. Com aproximação de 50x, é também a que tem maior distância focal e faz um ótimo trabalho aproximando objetos que estão longe, com uma boa estabilização de imagem. A câmera consegue definir uma medida razoável de detalhes e trata bem as cores que, com a iluminação certa, são vivas. Mas não escapa de problemas, especialmente nas cenas de ampla gama dinâmica e situações em que aparece bastante ruído. Também há um pouco de aberração cromática em ciano em enquadramentos com luz de fundo, mas nada além do esperado. Foto por INFOlab Foto por INFOlab Foto por INFOlab Foto por INFOlab Nos menores valores de ISO, a câmera faz fotos borradas por diminuir a velocidade, mas isso só é perceptível no tamanho natural e não deve ser um problema. Os primeiros indícios de ruído aparecem em algumas áreas já no ISO 125. No ISO 200, as cores ficam desbotadas. No ISO 1000, é difícil ignorar a perda de detalhes. Foto por INFOlab Foto por INFOlab A estabilização, além de manter o zoom com dignidade, ajuda também nas fotos que não o utilizam e nas filmagens, que podem ser até Full HD em 24 FPS; 30 FPS em HD e VGA e são gravados em MOV. E o AF também não é dos melhores o motor é lento, barulhento e impreciso. O visor da PowerShot SX50 HS é eletrônico e tem péssima qualidade. Muito pequeno, com apenas 202k de resolução e cores completamente distorcidas, só não é pior do que não ter um visor. Já o LCD traseiro é bom, com 2,8 polegadas, e o destaque fica com a quantidade de informações e grau de customização que oferece. É capaz de exibir quase todas as informações relevantes para a captura, incluindo histograma, grelha, exposição e fotometria. O que falta, como balanço de branco e modo de foco, pode ser facilmente acessado pelo botão Func. Set. Outro recurso interessante é a possibilidade de mostrar informações diferentes no EVF e na tela traseira. Mas ela não usa um sensor de proximidade e cabe ao usuário alternar manualmente entre os dois displays. Nos controles, a seleção dos manuais é interessante. Além do PASM e do Auto tradicionais, a câmera tem dois personalizáveis, Filmagem, Esporte para disparo contínuo, Movie Digest grava clipes de vídeo em conjunto com as fotos, HDR que também agrega vários filtros de cor e efeitos como olho de peixe e diversas Cenas panorama, fogos de artifício, neve, noturno, disparo contínuo rápido, disparo com detecção de face e retrato. Apesar de todos os descritos acima, o destaque vai para os controles de zoom um deles serve como um atalho de posições de distância focal para a hora de enquadrar e o outro trava o OIS no centro do quadro, para que não perca o objeto. No design, ela é similar a uma DSLR, o que lhe rende pontos na ergonomia. O corpo é de plástico, mas sem aparentar fragilidade ou um equipamento barato. Falando em números, a câmera mede 12 por 8,6 por 10,5 centímetros e pesa 603 gramas. Ficha técnica Sensor 12,1 MP Zoom óptico 50x 4,3 a 215 mm Filmagem 1080p LCD 2,8 Peso 603 g Avaliação técnica Prós Maior zoom óptico de câmeras testadas no INFOlab; suporte a RAW; excelente estabilização; qualidade de imagem razoável; controles manuais e virtuais bem pensados Contras AF lento e inconstante; tempo de disparo considerável; lente escura; problemas com cenas de ampla gama dinâmica foto e vídeo Conclusão A estabilidade com o zoom de 50x é notável nessa máquina Média Preço R$ 2 299 Kelebihandan kekurangan Kamera Canon PowerShot SX400 IS - deskripsi Câmera Digital Canon PowerShot SX50 HS- Zoom Ótico 50x, Video FullHD Lcd Câmera Digital Canon PowerShot SX50 HS- Zoom Ótico 50x, Video FullHD, LCD Articulável Sensor CMOS de 24-1200mm equivalente a 35mm Lente com 50x de Zoom Óptico, Processador de Imagem DIGIC 5, LCD de com Vari-Angle, Vídeos em Full HD 1080p, Dísparo Continuo de 13FPS. Acompanha 2 baterias e 1 bolsa Sony com 1 ziper precisando de conserto. Imagine poder entrar nos campos de esportes, focalizando a expressão de seu filho em um palco lotado ou gravar imagens da vida selvagem indescritível. Tudo isso e muito mais é possível com a Canon PowerShot SX50 HS oferecendo a primeira Lente com 50x de Zoom Óptico do mundo em uma câmera digital compacta, que vai desde uma 24 milímetros grande-angular para 1200 mm equivalente a 35mm para capturar qualquer foto que você escolher. A PowerShot SX50 HS não apenas lhe deixa perto da ação com também oferece uma qualidade de imagem espetacular a cada foto. O Sistema HS da Canon, uma combinação de um Sensor CMOS de MP de alta sensibilidade e o processador de imagem DIGIC 5, alcança belas imagens até ISO 6400. Grave seus momentos memoráveis em vídeos Full HD 1080p com som estéreo e alta velocidade AF garantindo que você vai capturar toda a ação com maior velocidade de focagem e intervalo de tempo reduzido disparo. A PowerShot SX50 HS também possui o benefício adicional de Zoom Framing Assist que busca e bloquea as funções, para rastreamento fácil e mantém o tema centralizado na estrutura até capturar a imagem. Com poderosas tecnologias que agregam praticidade e recursos avançados, PowerShot SX50 HS pode ajudá-lo a capturar mais da vida de cada dia. Tipo de cartão de memória SD, SDHC, SDXC Aceito dinheiro, pix ou picpay onde vc pode usar cartão de crédito. DDD 81 - Grande Recife 12 jun. 0229

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Kelebihandan Kekurangan Printer Canon IP2770 - Printer Canon IP2770 adalah salah satu jenis printer yang sangat banyak penggunanya. Mulai dari pekerja kantoran, mahasiswa, pelaku usaha, serta instansi-instansi lainnya. Dan termasuk juga diri saya sendiri, karena harganya yang cukup terjangkau dan ekonomis, juga hasil cetakan yang cukup berkualitas. The Canon PowerShot SX50 HS is the manufacturer’s latest superzoom bridge camera, and it boasts an impressive focal range. Recent times have seen camera manufacturers chase “numbers on the box”, particularly around pixel counts, which has been almost relentless. Today there’s a new chase however, the chase for longer and longer lenses within compact cameras and Canon has now pushed that boundary further than ever with the SX50 HS. This model sports a 50x optical zoom lens offering an amazing 24mm wide focal length at one end and a monstrous 1200mm at the tele end of its zoom. Canon PowerShot SX50 HS Review – Features and Handling The Canon PowerShot SX50HS’s lens astonishing feat of optical engineering, but it comes with a few health warnings. For a start its maximum apertures of f/ to f/ are rather limiting in terms of light gathering power and depth of field control, while you’ll need to carry a tripod or have surgeon steady hands to keep things shake free at lower ISO and at full zoom. The SX50 HS actually preserves many features from its SX40 predecessor and this includes its Megapixel CMOS sensor, DIGIC 5 processor, a rotating LCD display though the SX50’s is very slightly larger and full manual controls. The hot shoe remains too, as does the very useful Zoom Framing Assist feature which allows you to control the framing at bigger zoom ratios where there’s a tendency for the framing to wander due to you cameras shake or the anti shake system making things stray across the frame. There are some really cool new features too and my favourite among them is RAW shooting including combined simultaneous RAW and JPEG capture a faster AF set up, though this has its foibles, and improved continuous shooting speeds of up to 13fps. Another plus is there are now extra scene modes within the camera’s Smart Auto mode. Camera size and handling In terms of design, even with that 24mm to 1200mm lens, the SX50 HS is actually still a mid-sized super zoom snapper. The build quality is okay in that it has a plastic body and lens barrel over a metal skeleton. The camera’s relatively small then and sits nicely in the hand, but I found use one handed – of course that’s assuming you want to risk such a relaxed approach with that long zoom – meant the controls under your right thumb are too easy to depress by accident. I also found the aforementioned maximum aperture range makes the camera one of the slowest lensed models in its class, something that is the comprise necessary to get such a long focal range crammed into one optical train. Like the SX40, here the 50x zoom lens utilises Canon’s excellent USM ultrasonic motor for very quiet focusing – great when shooting HD movies – but apart from that gigantic zoom, the front of the camera has just one other feature of note, its AF-assist lamp. This is squeezed into the upper-right corner of the camera from the front. The lamp doubles up as the redeye reduction lamp and as the self-timer’s count down indicator. As with other similar long zoom cameras such as this, the image Canon SX50 HS’s stabilisation system needs to be good and it is here, thankfully. The SX50 utilises Canon’s lens-shift IS, and includes Canon’s Intelligent IS feature to choose between the panning, hybrid, or tripod modes for the situation at hand. There’s a natty dynamic IS mode that can reduce extreme camera shake when recording movies as well as a powered IS mode for shooting at the full telephoto 1200mm zoom. Other kit includes the camera’s tiny manually control flip-up flash unit, which offers a modicum of extra light but is woefully underpowered and so the addition of the hot shoe makes the use of a “proper” flashgun something that then adds a great dollop of extra flexibility and versatility to the camera and makes up for the built-in flashes limitations. LCD screen The SX50 HS’s rear has the slightly larger 461K-dot LCD fully tilt, turn and swivel-able display, the SX40 had a 230k-dot screen; up to 270 degrees, allowing you to snap shots over heads of those in front of you or use a tripod particularly when low to the ground without straining your neck, a la waist level finders on camera of yore. The LCD is best described as acceptable; it was just about usable outdoors in bright sunlight, if a little flat and lacking sharpness. But what really disappointed was the electronic viewfinder EVF. I much prefer a camera to have some form of “proper” viewfinder and if it has to be an EVF, that’s better than nothing. But this is not what I was expecting. It’s blurred and not sharp across the very tiny frame, the dioptre adjustment is good to have but was really hard to use as the dial is too slippery and it’s adjustment was way to course to get it set just right. The SX50 HS’s top plate houses the excellent-to-have hot shoe, a flash mode button and the main mode dial. If you use an external flash Canon’s guns will sync with the SX50’s metering system, you’ll be able to adjust the flash settings using the camera’s interface, and the AF-assist, redeye reduction, and high speed flash sync features will be at your command as well. If you don’t have a dedicated Canon flash you’ll have to adjust everything manually. Button layout On the SX50 HS’s mode dial, you can get at all the meat of the camera’s settings that includes the manual controls, the automatic settings and the scene and filter modes as well. A large on/off button is crouched alongside the mode dial; forward of this is the shutter button and its surrounding lens zoom lever. Move to the back plate and as well as the large display, you’ll find the playback button, a dedicated movie recording button, which is just a little to recessed for my large thumb, and so was problematic to use quickly and under that you’ll find the focus point selection button. On the right side of the camera, sheltering from dust and dirt under a snug, flush fitting rubber cover, are the SX50’s three I/O ports. These cater to wired remote control, which is another new feature over the SX40, the USB + A/V output, and mini-HDMI port and finally you’ll find the port for the optional mains power cable. The camera’s four-way jog button houses the camera’s direct buttons for ISO, exposure compensation, self-timer functions and the focus modes. It’s central FUNC/SET” button is used to access the usual Canon on-screen menu system or choose and scroll chosen options, pictures or settings. A thin rotating dial surrounds this but it is recessed just enough to get it out of the way, but too much to make it really easy to use. Another button, not mentioned yet but one which is my favourite, is the “S” button sat to the left side of the EVF on the back, it’s the shortcut button. Essentially, it is a user assigned button, so you can load it with functions or rather a function you use a lot but not catered to elsewhere on the camera, including the excellent i-Contrast. Metering, aspect ratio, AF type, white balance WB and drive modes are all other functions that can be assigned here; what you use depends on your style of shooting or the type of photo you’re about to take. Manual controls The SX50 HS’s manual controls are all adjusted using the abovementioned rotating dial that sites around the four-way jog controls. Spin it in aperture priority and the apertures adjust through their modest range of f/ to f/8; switch to shutter priority and you can spin it through the 15 second to 1/200th-second settings; in full manual control it defaults to shutter speed adjustment, to change apertures and back again you press the exposure compensation button on the top of the four way jogger. This is all simple to do and straightforward enough, but should you want to stick to the automated features then you have Program AE it’s like auto but without the camera choosing a scene mode for you, Auto mode is as described previously, the camera does the “thinking” in terms of subject mode but it’s very slow and gets it wrong on occasions too. The SX50 HS’s movie settings include Full HD 1080P capture but at 24fps. Many similar cameras today boast the “smoother” 60fps rate and it’s true to say, pan too fast on the SX50 and the results are a little jumpy. The camera’s Ultrasonic focusing system means you can have continuous AF during movie capture without any audio interference on the stereo audio. And zooming that massive lens during shooting is also noiseless, both things I’ve not been able to write for cameras of this ilk before, so well done Canon on both of those. Find the best deals for the Canon Powershot SX50 HS KelebihanKekurangan Kamera Canon IXUS 255 HS. Posted by neo at 4:32 PM. Labels: 255, canon, hs, ixus, kamera, kekurangan, kelebihan, laptop. Gadget kamera baru di Indonesia, kamera Canon IXUS 255 HS. Kombinasi feature dan teknologi yang semakin canggih dari Canon dalam balutan IXUS 255 HS ini, memberikan kesan dan sensasi tersendiri. ^{Introduction The Canon PowerShot SX50 HS is a brand new super-zoom camera sporting a 50x zoom lens which is equivalent to a focal length of 24-1200mm. Replacing the previous SX40 HS model, the SX50 HS features a 12 megapixel back-illuminated sensor, DIGIC 5 image processor, optical Image Stabilizer with Intelligent IS technology, full manual controls, ISO 80-6400, 12-bit RAW format support, full 1080p HD movie recording with stereo sound and a HDMI port, 10fps burst shooting, a inch vari-angle LCD screen, a range of Creative Filters, external flash hotshoe and an electronic viewfinder. The Canon PowerShot SX50 HS is available in black priced at £449 / $ Ease of Use Like most big zoom bridge cameras, the Canon PowerShot SX50 HS is a chunky beast that's not much smaller than the entry level digital SLR that it takes its styling cue from. However it is, after all, the whopper of a 50x optical lens that is the main selling point, boasting a comprehensively and creatively broad focal range stretching from 24mm to 1200mm that would be otherwise hideously unaffordable or impractical for the average DSLR user. What is lost in quality compared with a DSLR is made up for in terms of versatility - with the photographer being able to rapidly switch from wide angle framing to candid close ups from afar - and, all things considered, fair value, though the SX50 HS is not an inexpensive purchase. Indeed, with a £449 suggested UK price tag, there's the obvious 'ouch' factor to get over when considering the SX50 HS. Considering, that is, the fact that for a similar outlay you could purchase an entry level digital SLR, albeit one admittedly with a standard 18-55mm lens 3x zoom, rather than 50x. Still, if compared with the similar Panasonic Lumix DMC-FZ200 at a suggested £ which in fairness has a lens with a constant aperture of f/ throughout its 24x zoom range, the Canon seems comparably reasonable on paper at least. Considering the zoom range on offer here, a bulky body and some added weight courtesy of the chunky 315-shot rechargeable lithium-ion battery in the handgrip a total weight of 600g when the SX50 HS is 'loaded' makes perfect sense if we're going to be able to achieve anything approaching critical sharpness when shooting handheld towards the maximum telephoto setting. Image stabilization is of the lens shift type, offering a claimed stop advantage. Like its predecessor the SX50 HS again offers an Ultrasonic Motor along with a Voice Coil Motor to deliver not only relatively swift but also smooth and silent zooming - crucial when capturing video in particular, for which a dedicated thumb-operated record button is provided. Maximum aperture of the lens is f/ at 24mm, slowing to f/ at the full 1200mm, a little slow to start with but not bad considering the massive focal range on offer. From the front, apart from the change of model number the SX50 HS for 'High Speed' looks more angular and DSLR-like than the SX40 IS, with a bigger hand-grip, and further protruding pop-up flash. There's a large AF illuminator/self timer porthole to the right of the gargantuan lens, the pop up flash hiding just above, and a deep sculpted plastic grip to the left. Offering a slightly roughened surface that is practical in preventing slippage but not all that comfortable, we managed to squeeze three fingers around said grip without scraping any knuckles on the adjacent barrel. On the side of the lens barrel are two new buttons to help make using the 50x zoom easier. The uppermost Seek button quickly zooms back out of the scene, useful when you want to reloacte the subject that you had zoomed in on, and then automatically zooms back to your chosen focal length when the button is released. The lower Lock button locks onto and automatically track your subject, keeping them in the center of the frame until you take the shot. New to the SX-range is an external hotshoe on top of the camera, which accepts an external Canon Speedlite EX flashgun, greatly expanding the capabilities of the SX50 HS in low-light situations. The SX50 HS features the company's high speed Digic 5 image processor which offers a host of quick fire continuous capture of up to 13 frames per second for up to ten shots and 120fps or 240fps slow motion video replay options at 640x480 or 320x240 pixels respectively, along with the now expected regular Full HD 1920x1080 pixels video recording capability at 24fps. If you want 30fps this means a resolution drop to 1280x720 pixels. The lens shift image stabilization, again also a feature of the SX40 HS forebear, offers the equivalent of stops, with the camera detecting and choosing the 'correct' type of stabilization depending on the shooting conditions and the subject. The SX50 HS has purportedly seven options to select from Normal IS, Dynamic IS, Powered IS utilising camcorder technology to ensure the ability to record footage at a long zoom range, Panning IS deployed in one direction and useful for recording racetrack action, Macro IS, Tripod Mode image stabilizer automatically deactivated or Dynamic macro IS. The Canon PowerShot SX50 HS has effective megapixels courtesy of a 1/ CMOS sensor that is back illuminated to enhance its light gathering properties; enhanced as wires don't get in the way of the sensor and so the light's path. The Digic 5 processor offers noise reduction performance claimed to be a whopping 75% better than the old Digic 4. Less noise also gives the opportunity to avoid using the flash at various focal lengths - which incidentally has to be manually raised rather than automatically popping up - and bump up the ISO instead whilst shooting handheld. Here ISO runs from ISO 80 to ISO 6400. Multi area white balance maintains a natural colour balance for faces and backgrounds at the same time when the flash is used under tungsten lighting. The camera detects that there are two different light sources and so takes area specific readings. However, though there is face detection and AF tracking on board, the number of AF points is notably less than on even an entry level DSLR we get just one-point AF. This is a camera that is far easier to pick up and start shooting with than most DSLRs. Buttons and controls are well placed and spaced on the SX50 HS, with a shooting mode dial the size of a ten pen piece and a dime-sized shutter release button encircled by a lever for operating the zoom located at the top of the handgrip where it automatically falls under the forefinger of the right hand. This is a power zoom for those with larger hands who normally bemoan the small, precise buttons on most digicams, with the only the scroll wheel surrounding the control pad at the back being occasionally fiddly to operate with the thumb. Like most of its ilk, we found it easy to slip back and forth between settings when using it. Though most super-zooms offer the chance to merely toggle back and forth through the focal range using a lever, we missed being able to manually twist the lens barrel to quickly get the framing we wanted. The Canon PowerShot SX50 HS' shooting mode dial offers 12 settings, ranging from scene and subject recognising smart auto mode through the usual program, shutter priority, aperture priority and manual settings through to movie digest, sports mode, scene mode, more unusually a digital effects mode where the likes of miniature mode and HDR are discovered, plus there's a dedicated video setting from where the aforementioned slow motion movie capture options can be implemented; useful if you're shooting sports. Stills capture is now JPEG and/or RAW, a welcome development which brings the SX-range into line with key competitors, and makes perfect sense on a camera that aims to replace a DSLR. There are two customizable settings on the shooting mode dial for those who do like getting more hands on. Despite there being a dedicated video control on the shooting dial, you don't actually have to set it at this position to begin recording it's a means instead of adjusting the aforementioned video settings from regular speed to slow mo via a press of the 'function set' button. Simply hit the dedicated record button no matter which alternative stills mode you're in and the a second or so later the screen display will narrow from the regular 43 to 169 to ape how the video will look when replayed on your flat panel TV. There is, as we'd expect, a mini HDMI connection provided under a rubber flap at the side for this purpose, though unsurprisingly no lead comes bundled with the camera. The new screen now offers an improved resolution of 460k pixels, again matching the SX50's rivals. Press the obvious on/off switch next to the shooting mode dial and the camera powers up in just under two seconds, which is respectably swift. The lens barrel visibly extends to the maximum wide-angle 24mm setting as the rear LCD bursts into life. We know the setting as it's marked atop the lens barrel, as usefully are the incremental settings all the way up to 1200mm, which gradually reveal themselves as the lens extends outwards from the body. Since this is a bridge camera as well as a power zoom, at the back we have both vari-angle LCD monitor and a fixed electronic viewfinder just above. This automatically comes into play if you've twisted the LCD screen to face inwards to the camera body. There's no eye sensor beneath or above, nor is there a dedicated button for swapping between the larger screen and smaller EVF, so it would be very easy for most users to regularly bypass this facility completely. As it is, EVF resolution is a so-so 202k dots, and being able to twist and rotate the rear screen means that even if light reflections do render visibility momentarily tricky, a quick tilt and it's rectified. Give the zoom lever a toggle with your forefinger and the lens slides from maximum wide-angle to extreme telephoto in all of four seconds, the minimum and maximum infinity focus ranges provided via small text top of screen and rapidly changing as the lens moves forward or back. There is a noticeable mechanical buzz as the lens makes its adjustments, but it's not distracting. Switch to recording video however and the zoom action slows so that the transitions are even smoother, with the lens taking 10 seconds to move through its focal range. In this setting the mechanics of the lens are less noticeable, which is exactly as we'd want. At the back of the camera the LCD screen dominates, sitting squarely central below the EVF, which feature a hard rubber surround to the eyepiece and dioptre wheel for adjustment of visibility alongside. Above left and right of the EVF are a direct-print button, this being a Canon model, plus a Playback button. The rest of the controls are ranged to the right of the screen, the uppermost allowing users to immediately start recording a video. The next one down allows the single AF point to be expanded/contracted or moved with the aid of the multi directional control pad underneath - as long as you're in one of the creative shooting modes that is. Otherwise in smart auto mode, subsequent presses will turn face detection on or off, while in playback mode this multi-use control usefully doubles up as a Delete button. It requires a degree of playing around to discover this as unhelpfully once again the full manual is provided on CD only, with only a cursory quick start booklet in the box which doesn't cover any more than the already self explanatory basics. The four way control pad at points north, east, south and west variously offers a means of adjusting exposure compensation +/- 2EV, self timer off, two seconds, ten seconds or a 10 second option that fires three consecutive shots, selecting from the ISO options ISO100-3200, and finally adjusting focus, with switchable settings between normal, macro and manual options offered if required. The latter allows use of the scroll wheel to dial in distance settings from 0cm to infinity, with an enlarged central square on screen giving a rough idea of whether the picture is properly sharp enough. A press of the Function / Set button in the middle of the scroll wheel/control pad brings up the regular L-shaped menu that will be immediately familiar to any Canon compact camera user and presents essential functions at a glance. In program mode for example, from the top of this toolbar we get the ability to adjust dynamic range correction, white balance, select from the various 'My Color' options which include our favourite vivid saturation boosting option alongside the ability to specify darker or lighter skin tones or shoot in sepia or black and white in camera. Next down the list is a bracketing option, with either three shots automatically taken at three different exposures or three different focal distances, plus the option to switch from single to continuous capture, again adjust exposure compensation to +/- 2 EV, or swap metering between evaluative, centre weighted and spot. Image aspect ratio can be swapped from the factory default of 43 to 169, 32 or more unusually even 11 and 45. It's via this L-shaped toolbar that PowerShot users can also specify large, medium or small files and even adjust video resolution on the fly, from 1920x1080 through 1280x720 and down to 640x480 pixels. Alternatively if the camera has been set to its smart auto mode then only image aspect ratio, file size and video resolution can be adjusted. The other options do not appear at all. The final two buttons on the camera back are for the self-explanatory display and menu. Subsequent presses of display will call up a nine zone compositional grid, or turn off the LCD entirely at which point the EVF above automatically illuminates and comes into play. A press of 'menu' meanwhile brings up three easy to follow folders on screen; a capture folder, set up folder and my menu folder for quicker access to your more frequently used settings, should you choose to pre-set them. Interestingly among the usual suspects in the capture folder the microphone level can be adjusted, as can a wind filter be turned on or off. These menu options can be tabbed with via a thumb press of the four-way control pad or of course scrolled through faster using the surrounding wheel. If still viewing the camera from the back, further points of interest on the SX50 HS include the covered HDMI, AV and remote control ports on the right flank, and a single speaker located on the left, which also features the hinge about which the variable angle LCD screen pivots. The bottom of the camera features a metal off-centre screw thread for a tripod next to which is a sliding plastic door that protects the battery compartment and adjacent slot for the SD memory card. So, incidentally, if you place this PowerShot on a tripod you'll have to unscrew it first to remove the memory card. Image Quality All of the sample images in this review were taken using the 12 megapixel SuperFine JPEG setting, which gives an average image size of around 4Mb. The Canon PowerShot SX50 HS produced images of good quality during the review period. Noise is well-controlled until ISO 1600, which exhibits some artifacts, blurring of detail and slight colour desaturation. The noise and loss of detail get progressively worse as you go from ISO 1600 to the fastest 6400 setting, which isn't really very usable at all. The Dynamic Range Correction and especially HDR options squeeze more detail out of the shadows and highlights, although they're not available if you shoot in the new RAW mode. The Canon PowerShot SX50 HS handled chromatic aberrations fairly well with well-controlled but widespread purple and green fringing effects appearing in high contrast situations. The 12 megapixel images were sharp enough straight out of the camera at the default setting. Macro performance is a stand-out highlight, allowing you to focus as close as 0cms away from the subject, although there is a lot of lens distortion and shadowing at such a close distance. The built-in flash worked well indoors, with no red-eye and good overall exposure. The night photograph was excellent, with the maximum shutter speed of 15 seconds allowing you to capture enough light for most situations. The anti-shake system works very well when hand-holding the camera in low-light conditions or when using the telephoto end of the huge zoom range, although it's still best to use a tripod or other stable support if possible given the huge focal length on offer. Noise There are 8 ISO settings available on the Canon PowerShot SX50 HS. Here are some 100% crops which show the noise levels for each ISO setting, with the JPEG version on the left and the RAW on the right. JPEG RAW ISO 80 100% Crop ISO 80 100% Crop ISO 100 100% Crop ISO 100 100% Crop ISO 200 100% Crop ISO 200 100% Crop ISO 400 100% Crop ISO 400 100% Crop ISO 800 100% Crop ISO 800 100% Crop ISO 1600 100% Crop ISO 1600 100% Crop ISO 3200 100% Crop ISO 3200 100% Crop ISO 6400 100% Crop ISO 6400 100% Crop Sharpening Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are sharp enough at the default sharpening setting. You can change the in-camera sharpening level if you don't like the default look. Original 100% Crop Sharpened 100% Crop Focal Range The Canon PowerShot SX50 HS's 50x zoom lens has a massive focal range of 24-1200mm, as illustrated by these examples. 24mm 1200mm Chromatic Aberrations The Canon PowerShot SX50 HS suffered from chromatic aberrations, with purple fringing present around the edges of objects in high-contrast situations, particularly at the edges of the frame, as shown in the examples below. Chromatic Aberrations 1 100% Crop Chromatic Aberrations 2 100% Crop File Quality At full 12 megapixel resolution, there are two JPEG quality settings available - SuperFine and Fine- plus a RAW setting. SuperFine 100% Crop Fine 100% Crop RAW 100% Crop Macro The Canon PowerShot SX50 HS allows you to focus on a subject that is just 0cms away from the camera. The first image shows how close you can get to the subject in this case a compact flash card. The second image is a 100% crop. Macro Shot 100% Crop Flash The flash settings on the Canon Powershot SX50 HS are Auto, Manual Flash On / Off, and Slow Sync Speed, with Red-eye Reduction options available in the main menu. These shots of a white coloured wall were taken at a distance of Flash Off - Wide Angle 24mm Flash On - Wide Angle 24mm Flash Off - Telephoto 1200mm Flash On - Telephoto 1200mm And here are some portrait shots. As you can see, neither the Flash On or the Red-eye-Reduction settings caused any red-eye. Flash On Flash On 100% Crop Red-eye Reduction Red-eye Reduction 100% Crop Night The Canon Powershot SX50 HS's maximum shutter speed is 15 seconds, which is great news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 15 seconds at ISO 80. Night Night 100% Crop Anti Shake The Canon Powershot SX50 HS has an anti-shake mechanism, which allows you to take sharp photos at slower shutter speeds than other digital cameras. To test this, I took 2 handheld shots of the same subject with the same settings. The first shot was taken with anti shake turned off, the second with it turned on. Here are some 100% crops of the images to show the results. As you can see, with anti shake turned on, the images are much sharper than with anti shake turned off. Shutter Speed / Focal Length Anti-Shake Off 100% Crop Anti-Shake On 100% Crop 1/5th sec / 24mm 1/2nd sec / 1200mm Dynamic Range Correction Dynamic Range Correction captures more detail in the highlight areas of the image, with Auto, 200% and 400% settings available. HDR The HDR mode takes three photos at different exposures and effectively combines them to produce a single image with greater detail in the shadow and highlight areas. Off On Sample Images This is a selection of sample images from the Canon PowerShot SX50 HS camera, which were all taken using the 12 megapixel SuperFine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way. Sample RAW Images The Canon PowerShot SX50 HS enables users to capture RAW and JPEG format files. We've provided some Canon RAW CR2 samples for you to download thumbnail images shown below are not 100% representative. Sample Movie & Video This is a sample movie at the highest quality setting of 1920x1080 pixels at 30 frames per second. Please note that this 15 second movie is in size. Product Images Front of the Camera Front of the Camera / Turned On Front of the Camera / Flash Raised Isometric View Isometric View Isometric View Isometric View Rear of the Camera Rear of the Camera / Image Displayed Rear of the Camera / Turned On Rear of the Camera / Function Menu Rear of the Camera / Main Menu Tilting LCD Screen Tilting LCD Screen Tilting LCD Screen Top of the Camera Bottom of the Camera Side of the Camera Memory Card Slot Front of the Camera Front of the Camera Memory Card Slot Battery Compartment Conclusion The jaw-dropping 50x lens may get all the attention, but the PowerShot SX50 HS' other new features are what makes this Canon's best super-zoom camera yet. It's impossible to review the Canon PowerShot SX50 HS without focusing on its 24-1200mm focal length - after all, it would be very costly and indeed difficult to replicate that range on a DSLR system, not to mention bulky and heavy too. We found that we got a surprising number of keepers at the 1200mm focal length, even when using the camera handheld, although most of the photos taken at the longer reaches of the zoom were inevitably shot at ISO 1600 when ISO Auto was on, not great considering the high levels of noise. What you gain in focal length, you lose in lens speed, with the maximum aperture of f/ forcing the camera to use a higher ISO to maintain a fast enough shutter-speed and often not achieving that. Still, you don't have to use the full telephoto range all the time, although we suspect that some users won't be able to resist, and mounting the camera on a tripod is essential if critical sharpness is required in anything but good light. Of more concern than noise is the obvious chromatic aberrations which rear their purple and green ugly heads wherever there's an area of high contrast in the image. Alongside the world's biggest zoom on a compact camera are a number of other, arguably more important, features that bring the SX-range up to speed with its main competitors. Chief amongst these are the welcome inclusion of the RAW format, a hotshoe for an accessory flash, a bigger handgrip, and a higher-resolution LCD screen. These improvements add up to make the Canon PowerShot SX50 HS much more of a viable alternative to a DSLR, and to its super-zoom rivals too. We are disappointed that the electronic viewfinder still only has a resolution of 202k dots, especially considering that it's imperative to compose your photos through the viewfinder given the huge focal range, and there's no automatic switching between LCD and EVF either when you hold the camera to your eye. Whereas the previous SX40 HS felt predominantly like a fun tool for amateurs, the more DSLR-like Canon PowerShot SX50 HS with its improved image quality, new prosumer features, better handling and inevitably that 50x zoom lens make it a real alternative to a DSLR or compact system camera and a bag full of lenses. Ratings out of 5 Design Features Ease-of-use Image quality 4 Value for money 4 Review Roundup Reviews of the Canon PowerShot SX50 HS from around the web. The Canon Powershot SX50 HS is a 12 megapixels ultra-zoom that features the most powerful optical zoom lens ever made into a digital camera. At 50X, the lens of the SX50 HS has a reach equivalent to 24-1200mm, going from ultra-wide to well-beyond telephoto. Not only can this lens frame the moon tightly, it can also focus down to 0cm at wide-angle, which is only matched by a handful of other SX-series cameras Read the full review » Specifications IMAGE SENSOR Type 1/ type back-illuminated CMOS Effective Pixels Approx. Colour Filter Type Primary Colour IMAGE PROCESSOR Type DIGIC 5 with iSAPS technology LENS Focal Length – mm 35 mm equivalent 24 – 1200 mm Zoom Optical 50x. ZoomPlus 100x Digital Approx. 4x with Digital Tele-Converter Approx. or and Safety Zoom¹. Combined Approx. 200x Maximum f/number f/ Construction 13 elements in 10 groups 3 UD lenses and 1 double-sided aspherical lens Image Stabilisation Yes lens shift-type, Intelligent IS Ultrasonic Motor USM Yes, zoom FOCUSING Type TTL AF System/ Points Face Detection, 1-point AF Any position is available, fixed to centre or Face Select and Track AF Modes Single, Continuous, Servo AF/AE¹, Tracking AF AF Point Selection Manual selection using FlexiZone AF/AE, Size Normal, Small AF Lock On/Off Selectable AF Assist Beam Yes Manual Focus Yes Focus Bracketing Yes Closest Focusing Distance 0 cm W from front of lens in Macro EXPOSURE CONTROL Metering modes Evaluative linked to Face Detection AF frame, Centre-weighted average, Spot centre or linked to Face Detection AF or FlexiZone AF frame AE Lock Yes Exposure Compensation +/- 3 EV in 1/3 stop increments Enhanced i-Contrast for automatic dynamic range correction AEB 1/3 – 2 EV in 1/3 stop increments ISO sensitivity* AUTO, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400 SHUTTER Speed 1 – 1/2000 sec. factory default 15 – 1/2000 sec. total range – varies by shooting mode WHITE BALANCE Type TTL Settings Auto including Face Detection WB, Daylight, Cloudy, Tungsten, Fluorescent, Fluorescent H, Flash, Custom1, Custom 2. Multi-area WB correction available in Smart Auto. White Balance Compensation. VIEWFINDER Viewfinder EVF type, 43 aspect ratio, Approx. 202,000 dots Viewfinder / Coverage Approx. 100% Dioptre Correction Yes LCD MONITOR Monitor Vari-angle cm PureColor II VA TFT, Approx. 461,000 dots Coverage Approx. 100% Brightness Adjustable to one of five levels. Quick-bright LCD FLASH Modes Auto, Manual Flash On / Off, Slow Synchro Slow Sync Speed Yes. Fastest speed 1/2000 sec. Red-Eye Reduction Yes Flash Exposure Compensation +/- 2 EV in 1/3 stop increments. Face Detection FE, Safety FE, Smart Flash Exposure Flash Exposure Lock Yes Manual Power Adjustment 3 levels with internal flash up to 19 levels with external EX Speedlites 270EX II and 430EX II. 22 levels with 580EX II, 600EX and 600EX-RT¹ Second Curtain Synchronisation Yes Built-in Flash Range 50 cm – m W / m – m T External Flash E-TTL with EX series Speedlites¹ SHOOTING Modes Smart Auto 58 scenes detected, Program AE, Shutter priority AE, Aperture priority AE, Manual, Custom 1, Custom 2, SCN Portrait, Smooth Skin, Smart Shutter Smile, Wink Self-Timer, FaceSelf-Timer, High-speed Burst HQ, Handheld Night Scene, Snow, Fireworks, Stitch Assist, Creative Filters High Dynamic Range, Fish-eye Effect, Miniature Effect, Toy Camera Effect, Soft Focus, Monochrome, Super Vivid, Poster Effect, Color Accent, Color Swap, Movie Digest, Movie Modes in Movie Smart Auto 21 scenes detected, Standard, Program AE, Portrait, Miniature Effect, Monochrome, Super Vivid, Poster Effect, Color Accent, Color Swap, Snow, Fireworks, iFrame Movie, Super Slow Motion Movie Photo Effects My Colors My Colors Off, Vivid, Neutral, Sepia, Black & White, Positive Film, Lighter Skin Tone, Darker Skin Tone, Vivid Blue, Vivid Green, Vivid Red, Custom Color Drive modes Single, Continuous, Continuous with AF, Self-Timer Continuous Shooting Approx. shots/sec., AF Approx. shots/sec., LV Approx. shots/sec., High-speed Burst HQ Approx. 13 shots/sec., up to 10 shots. High-speed Burst HQ with AF Approx. shots/sec., up to 10 shots¹² RECORDING PIXELS / COMPRESSION Image Size 43 - RAW, L 4000 x 3000, M1 2816 x 2112, M2 1600 x 1200, S 640 x 480 169 - RAW, L 4000 x 2248, M1 2816 x 1584, M2 1920 x 1080, S 640 x 360 32 - RAW, L 4000 x 2664, M1 2816 x 1880, M2 1600 x 1064, S 640 x 424 11 - RAW, L 2992 x 2992, M1 2112 x 2112, M2 1200 x 1200, S 480 x 480 45 - RAW, L 2400 x 3000, M1 1696 x 2112, M2 960 x 1200, S 384 x 480 Resize in playback M2, S, XS *XS is half the length and width of S Compression Superfine, Fine Movies Full HD 1920 x 1080, 24 fps, HD 1280 x 720, 30 fps, L 640 x 480, 30 fps Super Slow Motion Movie L 640 x 480, 120fps, M 320 x 240, 240fps Miniature Effect HD, L 6fps, 3fps, fps iFrame Movie HD Movie Length Full HD & HD Up to 4 GB or 29 min. 59 L Up to 4 GB or 1 hour² Super Slow Motion Movie 30 sec. FILE TYPES Still Image Type JPEG compression Exif [Exif Print] compliant / Design rule for Camera File system and DPOF ver. compliant, RAW, RAW+JPEG Movies MOV [ + Linear PCM stereo] iFrame DIRECT PRINT Canon Printers Canon SELPHY Compact Photo Printers and Canon Inkjet Printers supporting PictBridge ID Photo Print, Fixed Size Print and Movie Print supported on SELPHY CP & ES printers only PictBridge Yes OTHER FEATURES Red-Eye Correction Yes, during shooting and playback My Camera / My Menu Start-up image and camera sounds customisation. Menu customisation My Category Image tagging feature Intelligent Orientation Sensor Yes Histogram Yes, live histogram Playback zoom Approx. 2x – 10x Self Timer Approx. 2 or 10 sec., Custom Menu Languages English, German, French, Dutch, Danish, Finnish, Italian, Greek, Norwegian, Portuguese, Russian, Swedish, Spanish, Ukrainian, Polish, Czech, Hungarian, Turkish, Simplified Chinese, Chinese traditional, Japanese, Korean, Thai, Arabic, Romanian, Farsi, Hindi, Malay, Indonesian, Vietnamese INTERFACE Computer Hi-Speed USB MTP, PTP dedicated connector Mini-B compatible Other HDMI Mini Connector HDMI-CEC compatible A/V output PAL/NTSC MEMORY CARD Type SD, SDHC, SDXC SUPPORTED OPERATING SYSTEM PC & Macintosh Windows 7 SP1/ Vista SP2/ XP SP3 Mac OS X – SOFTWARE Browsing & Printing ImageBrowser EX Other PhotoStitch Image Manipulation Digital Photo Professional for RAW development POWER SOURCE Batteries Rechargeable Li-ion Battery NB-10L battery and charger supplied Battery life Approx. 315 shots¹ Approx. 420 min. playback A/C Power Supply Optional, AC Adapter Kit ACK-DC80 ACCESSORIES Cases / Straps Soft Case DCC-850 Lenses Filter Adapter FA-DC67A Compatible with Canon 67mm Filters Circular Polarizing PL-C B, Protect Filter Flash Canon Speedlites including 270EX, 270EX II, 320EX, 430EX II, 580EX II¹, 600EX, 600EX-RT, Speedlite Transmitter ST-E2, Speedlite bracket SB-E2, Off-Camera Shoe Cord OC-E3 Remote Controller/ Switch Remote Switch RS-60E3 Power Supply & Battery Chargers AC Adapter Kit ACK-DC80, Battery Charger CB-2LCE Other Lens Hood LH-DC60 Canon HDMI Cable HTC-100 PHYSICAL SPECIFICATIONS Operating Environment 0 – 40 °C, 10 – 90% humidity Dimensions WxHxD x x mm Weight Approx. 595 g including battery/batteries and memory card Zoom ¹ Depending on the image size selected. AF Modes ¹ Some settings limit availability. Manual Power Adjustment ¹ Not all functions of the flash are supported. External Flash ¹ Not all functions of the flash are supported. Continuous Shooting ¹ Under conditions where the flash does not fire. ² Depending on memory card speed / capacity / compression setting. Movie Length ¹ The following Speed Class memory cards are required for maximum record time HD 1280 x 720 Speed Class 4 or above. Full HD 1920 x 1080 Speed Class 6 or above. iFrame 1280 x 720 Speed Class 6 or above. ² Depending on memory card speed / capacity / compression setting. Battery life ¹ Using the batteries and memory card format supplied with the camera where included, except where indicated. Flash ¹ Not all functions of the flash are supported. *Standard Output Sensitivity / Recommended Exposure Index. According to ISO 122322006 20th April 2006 which specifies the method for assigning and reporting ISO speed ratings for digital still cameras. All data is based on Canon standard testing methods according to CIPA Standards except where indicated. Subject to change without notice. Your Comments Introduction Ease of Use Image Quality Sample Images Product Images Conclusion Review Roundup Specifications}

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kelebihan dan kekurangan canon sx50 hs